<< /Gs2 11 0 R /Gs1 12 0 R >> /Font << /F1.0 6 0 R /F2.1 8 0 R /F3.0 The diminished scale is used to solo over diminished 7 (Dim7) chords. We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. VI. PDF is the ideal format for this book. Each of these scales can be used for material over the 4 dominant 7th chords, and the 4 diminished chords in which it is related. endobj It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. That’s right, don’t be alarmed! �C4���j���O�-����O����Ï8��==t���F�O.ؖO��x �AzL`ǣf��*C`+&4���xS}m�3�R���L_;������n-A���45��V2�|c}�5�~`�n`9ɪ�Xu�2g��d24
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��O�n�A��Q� {F���*vN`�K���İ`$�]������P�Ns��:_��A쐮�%gګL?�d���;?79��'Ac�'�δ�3.L��)RGFp��[J�B0! B° is chord vii° in C major, but chord ii° in A minor. The full diminished scale will use 9 notes. Bass Guitar Scales pdf FREE DOWNLOAD Bass Scales are successions of notes with a relationship between them and it is necessary, for any instrument, to know and master them.. �]F��҅�V] �`�[�1ף���+�;���lFg���Ӂښ�t;3���]v ��ϧ��P6b �ҹ�F�L-��u]6X The diminished scale, also known as the whole half scale, is an eight note scale with a numeric formula of 1-2-♭ 3-4-♭ 5-♯ 5-6-7-8/1. Նv˪��l[obP>-�U�%��kٴU�i�0!g]q����yL���.�8
x�. The most common application of the diminished scale is in the dominant chord. UK & Europe: +44 808 196 2012 US & … [0 0 612 792] >> SN��U(l�Бkڐ���GZWAa� �,|���*d� �ɶ The diminished scale built on whole and half steps is known as the fully diminished scale, or the whole-half diminished scale. Link to Guitar Pro file of tab for the Guitar Whole Tone Scale. Diminished scales are built by using alternating patterns of whole and half steps. �`�Ȫl$��I8��"�}�#�`-�iM6ꐧn��+�s��A{��k'A�x`�&��%�y����H��b��Hۍ1���g���Yq*A�n`�����bQR"sr�Ј"�+�ᆆ�2�wt���rM:-p���bH�Gߤ�F. 18 0 obj It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. In fact, you probably already know this scale by another name: the Major Bebop scale! Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th. endobj As you may have guessed from their names, the formula for the half-whole diminished scale is up a half step or semi-tone, then up a whole step or tone. The Diminished scale is an important scale used in Jazz but can also be used in blues. This is very advantageous, as it opens up a very wide range of possibilities. Now, that you understand the basics of the scale lets take it to the next level. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. Link to page dedicated to Guitar Whole Tone Scale; Link to PDF file with all 5 positions of the Guitar Whole Tone Scale. Every minor 3rd (a whole step plus a half step away) you can start the scale pattern again and you'd be in the same scale. The half-whole diminished scale (the diminished scale) known as "dominant diminished scale" is constructed by repeating a pattern of half and whole steps. diminished scale ideas.pdf: File Size: 54 kb: File Type: pdf: Download File. This should not be strange, after all it is the diminished scale that forms the diminished chord. x�mSAL�P�__�m2G�11�I�،�ND�d�apJ:FH���
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Since you can look at the diminished scale as constructed of 4 major triads a minor third apart you can actually construct two different tritone scales from a diminished scale: One from D & Ab triads and another with B & F triads. In these diminished scale diagrams, any of the white circles can be considered to be the root / tonic note of the scale. ��`�\����_ҳWo�ˤ�����L��%.L��l��h�&��=�����(�HJ|���5x -��Č�(+w ���Ra�k£lzG��ލ��A���a�R��Rꂭ��w�VR�R|Ur�e�M*3.R9����ӓ�%����a#) 15 0 obj The Diminished scale would be good for Heavy Metal. D����G'0��>5p�c,�X:]���t�Ŕ����ʻ�o����d�#`�����|T��G+K@�<=���܈�������S�Wd�1fA
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x~���a�lmѲ�a��xw��}l�&ނ�X���L�\�� Unlike other scales which contain seven notes, these scales contain eight notes. Diminished scales are symmetrical and repeat in minor 3rds meaning that 1 diminished scale is actually 4 diminished scales. It could remind you of something you’ve heard bef… << /Type /ExtGState /AAPL:AA false >> SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Nj +к stream The interval pattern is 1 - b9 - #9 - 3 - #11 (or b5) - 5 - 13 (6) - b7. endobj stream �Ι@��TG���k� @Q/����8�y�7���4�W�,��6"��F;�Z@#��� k��ѩS��ȱ�3K�{F Follow the logic: Since this scale is repeated every three semitones, we can think about playing it starting from others degrees. See an example of shape for the dimished scale of C below. 13 0 obj and 7-note scales containing intervals no larger than a major third and selected 8-note scales, chiefly to account for the Bebop scales and the Diminished Scale. Adopt a reference point that makes you feel comfortable and practice using this scale in a musical context. When first exploring diminished scales on guitar, it is easy to confuse these two scales. This dom-dim scale is nothing more than the diminished scale shape that we showed starting from the second degree instead of the first. vii° – where “vii” signifies the seventh chord in a major scale. For example, the C diminished chord includes the notes C, E♭, and G♭. This is sometimes noted 1♭3♭5. x�}�OHQǿ�%B�e&R�N�W�`���oʶ�k��ξ������n%B�.A�1�X�I:��b]"�(����73��ڃ7�3����{@](m�z�y���(�;>��7P�A+�Xf$�v�lqd�}�䜛����]
�U�Ƭ����x����iO:���b��M��1�W�g�>��q�[ << /Length 14 0 R /N 3 /Alternate /DeviceRGB /Filter /FlateDecode >> A half diminished chord is simply a minor seventh with a flattened fifth. ��� YTk����:^R��O�^u��4'y�y��@��Bd(�aSk((�T��_�t�\���f��,j@ In jazz music however the term Octatonic scale is related to the diminished scale (since the scale is built out of two interlocking diminished seven chords which I'll show you later). Well we’re going to have a look at our first scale - the half diminished scale. * ii° - signifying the second chord in a minor scale. stream Each scale connotes something different. endobj In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). As we will see later, you can use the C diminished scale over B7. This is just one way of thinking, and it can be very useful in practice. Diminished scales are symmetrical and repeat in minor 3rds meaning that 1 diminished scale is actually 4 diminished scales. This will facilitate logic. endobj But as this scale is identical to the D# scale, and D# is much closer to E than C, we can take advantage of this small distance and use the D# diminished scale (instead of C diminished) to make improvisation more fluent. Diminished-Whole-Half-Scale.pdf, 338KB ∞ The diminished scales lend themselves very easily to be able to play fast due to their symmetrical shapes. The interval pattern is 1 - b9 - #9 - 3 - #11 (or b5) - 5 - 13 (6) - b7. This results in diminished scales being repeated every 4th set of whole and half steps. Package details. Okay, and what’s the advantage of that? This printable PDF eBook contains 25 dominant diminished jazz guitar lines with tabs and analysis using the half-whole diminished scale (also called dominant diminished scale) and some diminished 7th arpeggios to play over dominant chords (G7, G7b5, G13, G7#9, G7b9, G7b5b9, G7b5#9, etc.) It can be played a semitone above the dominant chord in question. 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