To get a C augmented scale, you would superimpose Eb+ (same as D#+) on top of C+. To get a C augmented scale, you would superimpose Eb+ (same as D#+) on top of C+. That could be these chords: So the idea is that the scale fits a part of the chord but the chord is not necessarily diatonic to the scale. Scale notes: C, D#, E, G, G#, B MIDI file: scale_c_augmented.mid (includes scale notes and chords) Other root notes:, , , , , , , , , , , Other scales: List of available scales Overview . selected scale highlighted. C Augmented for guitar. Please subscribe to my YouTube channel and feel free to connect with me via Facebook, Instagram, Google+ or Twitter to keep up to date with new lessons, concerts and releases. How to construct the augmented scale? In example 1 the C and B augmented triads are shown and I’ve added two ways to play the scale. The Lesson steps then explain how to construct this 7th chord using the 3rd, 5th and 7th note intervals, then finally how to construct the inverted chord variations.. For a quick summary of this topic, have a look at Seventh chord. So, a C Maj chord is C – E – G, and an C Aug chord is C – E – G#. Famous examples include the whole tone scale, C D E F ♯ G ♯ A ♯ C; the augmented scale, C D ♯ E G A ♭ B C; the Prometheus scale, C D E F ♯ A B ♭ C; and the blues scale, C E ♭ F G ♭ G B ♭ C. A hexatonic scale can also be formed by stacking perfect fifths. The C aug or C+ scale is: C D# E G Ab B. Within the scale, you have all the notes of a Cmaj7 chord, a Emaj7 chord, and an Abmaj7 chord. C Augmented triad. The same is of course the case for the B, Eb and G note… It therefore contains the notes C (B#), E, G#. Aeolian b5...) So to find some material to use in lines when improvising. In this example the scale would consist of C Eb E G Ab B C. Since both of the chords are symmetrical every major 3rd the scale is also symmetrical in that way. Thus the Ab augmented scale is the scale of choice for imposing the augmented sound on the altered G7 chord. The Lesson steps then explain how to construct this triad chord using the 3rd and 5th note intervals, then finally how to construct the inverted chord variations.. For a quick summary of this topic, have a look at Triad chord. C Augmented lydian Uke scale (W,W,W,W,H,W,H) on the soprano. Therefore, it was necessary to say that the degrees would be according to the format of the major scale. C Augmented-scale-caged-system-degrees-l - C Augmented-scale-caged-system-degrees-l.jpg . Within the scale, you have all the notes of a Cmaj7 chord, a Emaj7 chord, and an Abmaj7 chord. The name of the scale is based on the fact that it is built upon two augmented chords. In a C major scale, B is the leading note (7 th degree of the scale) that resolves to C. And a C+ chord has three active notes: C, E & G#. Home > Symmetric Scales > Augmented Scale > C Augmented Scale all-piano-scales.com en Français. I rem… The last line actually starts out as a symmetirical cascade idea of the Ab, E and C triads. The idea is to play one triad and then start the next one a halfstep above the 5th of the one you just played. C Augmented for piano. C Augmented Scale Here's a representation of the C Augmented Scale as it would appear on the keyboard. The Lesson steps then explain how to construct this triad chord using the 3rd and 5th note intervals, then finally how to construct the inverted chord variations.. For a quick summary of this topic, have a look at Triad chord. Augmented 6th chords are chromatic chords that are built upon the interval of a major 3rd and an augmented 6th. This next lick uses the Maj7#5 in a similar way moving down one set of strings. C Augmented Uke scale (WH,H,WH,H,WH,H) on the baritone. The root of a C Augmented chord is C. The third mode of the Melodic Minor Scale is called the Lydian Augmented. This is true for any Major triad: an Augmented triad is simply the major triad with the last note – the 5th of the chord – raised by a semitone (half-step). chords that sound good with a C Augmented scale, http://en.wikipedia.org/wiki/Augmented_scale#Augmented_scale. The same is of course the case for the B, Eb and G … Minor...) Locrian Melodic Minor Phrygian #6 (A.K.A. The Root. Middle C has been marked in red. Try the above tip with a blues as well. In the video I explain it as altering the C and B aug triads, but writing down the scales and look after possible chords for C and B will do the trick too. As you can see the scale contains C, Cm, Cmaj7, CmMaj7, CMaj7#5 and B augmented chords, besides the C augmented triad. However, we worked on the C major scale before, because by saying only “3rd degree”, “6th degree”, etc. Convert documents to beautiful publications and share them worldwide. It may also be called the "minor-third half-step scale" due to the series of intervals produced. See diagrams at Standard Guitar. Comments: 3 #1. Rank Root Scale Notes Intervals More Info; 1 : A : Lydian Augmented Scale : A,B,C#,D#,F,F#,G# : 1 2 3 #4 #5 6 7 You'll find below the 5 different positions/shapes of the C Augmented Uke scale in G-Tuning (DGBE), along with their ascending tab patterns. 3: C augmented scale, highlighting alternating B+ and C+ chords . I would use the C augmented scale (the one I am using in all examples of this lesson) on a Maj7 or Maj7#5, but I’d approach a mMaj7 in a different way. Caug (C augmented) Notes and structure: C E Ab (R 3 m6) Chord Categories: basic augmented triad. I’ll also give a few basic exercises and some melodic ideas that I might use when I use the scale in an improvisation. E major, E and C triads third and minor second produces not just one, but three tonics... 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